Mason Lindahl Returns With A Double-Shot Of Bliss, The Lilith Fair Documentary, And More
This week on Discologist, Eduardo and Kevin dive into the lush sonic universe of guitarist Mason Lindahl and his expansive new double album, Joshua / Same Day Walking. PLUS: A new Lilith Fair documentary revisits a pivotal chapter in musical history, Foxing bids farewell, a new award show crowns the “best” AI-generated song, and more.
Rachika Nayar and Nina Keith Join Forces As Disiniblud, Where In The World Is Fugazi, A Stubhub IPO, And More
This week on Discologist, Eduardo and Kevin take a trip into the whimsical electronic world of Disniblud, a new collaboration between Rachika Nayar and Nina Keith. PLUS: The Internet Archive lives to fight another day, StubHub has an IPO, we ponder where the heck Fugazi is when we need them most, and more!
Fruit Bats Return with ‘Baby Man’, Bad Bunny Takes A Stand, Mary Jane Girls, And More
This week on Discologist, Eduardo and Kevin are blissing out to the stripped-down masterpiece that is Fruit Bats’ Baby Man. PLUS: Bad Bunny takes a stand on the current state of U.S. immigration policy, we ask why they don’t make ’em like Mary Jane Girls anymore, and more!
Charley Crockett’s ‘Dollar A Day’, The Impact Of Tariff’s On Independent Musicians, And More
On and all-new edition of Discologist, Eduardo and Kevin are checking in on Texas troubadour Charley Crockett’s latest, and second album of 2025, Dollar A Day PLUS! We’re discussing the economics of being an independent musician during a trade war, and more.
Pretty Bitter’s ‘Pleaser’, The New Yorker calls out the declining state of music criticism, and more.
On the Season 17 premier of Discologist, Eduardo and Kevin catch up after a long Summer, ponder the role of critics in the modern music landscape, and discuss the wonders of Pleaser, the latest (and AOTY-contender) from Washington, D.C.’s Pretty Bitter.